and the winner is . . .

Western Fictioneers, formed by professional writers in 2010 “to preserve, honor, and promote traditional Western writing in the 21st century,” just announced the winners of the annual Peacemaker Awards.

Lo and behold, my book Where the Long Trail Ends was named Best Western Novel.

Sometimes you get lucky. I am pleased and surprised in equal measure.

In other award news, two of my works were named finalists for Western Writers of America Spur Awards. “Leftovers,” from my collection Buckoffs and Broken Barriers: Rodeo Poems, is a Spur Award Finalist for Best Western Poem. “Rawhide Robinson Faces Fear,” from the collection of short stories with Michael Norman, Shiny Spurs and Gold Medallions, is a Spur Awards Finalist for Best Western Short Fiction.

Good news from the premier professional organizations for Western writers.

When it rains it pours. Thank goodness—out here in the West we can use the water.

My favorite book, Part 32

For years, Wendell Berry has been one of my favorite writers. He is versatile, penning poems, essays, nonfiction, short stories, and novels. I like all of it. But perhaps my favorite of his works is Watch With Me: and Six Other Stories of the Yet-Remembered Ptolemy Proudfoot and His Wife, Miss Minnie, Née Quinch.

The stories are set in Berry’s fictional community of Port William, Kentucky. He has written several novels and lots of short stories about the place and its people, set from just after the Civil War till now, and their relationships to one another and the land.

Watch With Me: and Six Other Stories of the Yet-Remembered Ptolemy Proudfoot and His Wife, Miss Minnie, Née Quinch, stars Ptolemy “Tol” Proudfoot and Miss Minnie, who, later in life than is usual, become husband and wife. They are an unlikely pair—he an oversized and disheveled farmer whose slow and easy ways fool people into believing he is a bit dim upstairs, while she is a diminutive, prim and proper schoolmarm who is sharp as a tack. As their relationship develops over—roughly—the first half of the twentieth century, they learn to accommodate and appreciate one another’s ways and make a happy marriage.

Much of what the book recounts about Tol and Miss Minnie is humorous—some of it laugh-out-loud funny. There’s an incident in a country store featuring Tol and a basket of eggs that is one of the most amusing stories I have ever read or heard. In true Wendell Berry fashion, the book presents country folk as complex, layered characters rather than the hicks and bumpkins we so often see.

Wendell Berry’s writing has earned him the distinction of numerous literary prizes and honors, including receipt of the National Humanities Medal in 2010 and the Life Achievement Award from the National Book Critics Circle in 2016. In addition to a busy writing life, Berry practiced the old ways of agriculture he often writes about, farming with mule teams and raising crops on land where he and his wife still live. His way of writing is likewise old-fashioned—every one of the millions of his published words was written in longhand on paper with a pencil. You would be hard-pressed to find any author who has done more or better with the benefit of all the modern conveniences.

If you don’t know Wendell Berry, it’s time you met. Watch With Me: and Six Other Stories of the Yet-Remembered Ptolemy Proudfoot and His Wife, Miss Minnie, Née Quinch would make a fine introduction.

Double Header.

Two new books to tell about.

A collection of rodeo poems, Buckoffs and Broken Barriers, written over the years is now available online in paperback and eBook. The poems range from humorous to wistful and everywhere in between, and all are the result of years spent riding, working, or watching rodeo. Some are based on actual events. Others ought to be, even if they’re not.

Nine-time World Champion Rodeo Cowboy Ty Murray read the book, and had this to say:

“Rod Miller is a very talented wordsmith who brings out the humor, danger, mystique and drama of cow people and their sport. After reading many of his poems that depict his experiences as a rodeo cowboy, it’s a damn good thing he’s a hand with a pen.”

Coming mid-August is a collection of short stories, Shiny Spurs and Gold Medallions, co-authored with friend and fellow writer Michael Norman. Many of the stories are award winners or finalists for those honors, or recipients of other noteworthy recognition. There are Spur Awards from Western Writers of America, Medallions from the Will Rogers Medallion Awards, Peacemakers from Western Fictioneers, and other honors some of our stories have been fortunate enough to receive. We collected those award winners and finalists, wrote some new stories, and put them together in this two-author collection.

Michael is author of several modern-day Western mystery novels, and also writes short stories. Most are historical tales about the Apache wars in the Southwest. My stories run the gamut in setting, subject,  and style. The book is a Thorndike Press large-print edition, available from online booksellers as well as on the shelves at many libraries.

Whether your taste runs to poetry or short fiction or both, you’ll find Buckoffs and Broken Barriers and  Shiny Spurs and Gold Medallions enjoyable. You’ll get a taste of arena dirt, feel the heat of the southwestern deserts, and hear the creak of saddle leather. You’ll find a touch of anxiety and anticipation, some fear and uncertainty—and even the occasional laugh.

 

On the trail of an idea.

Writers—including yours truly—are often asked where they get their ideas. It is not always an easy question to answer. But in the case of my short story “Black Joe” I know the answer.

“Black Joe” was originally published in the periodical Saddlebag Dispatches in 2019. It was named “Best Western Short Fiction” in 2020 and given the Peacemaker Award by Western Fictioneers, an organization of professional writers of—you guessed it—Western fiction. Now it is the title story in my just released hardcover book from Five Star Publishing, Black Joe and Other Selected Stories.

But back to the subject at hand and the source of ideas.

Andy Nelson, a radio host, entertainer, and cowboy poet—and friend—of the highest order learned of the event that inspired the story from his father, Jim. It concerns an ornery wild horse, a black stud called Black Joe, that attacked a father and young daughter while out riding in the backcountry of Idaho. Andy passed the story on to another friend, cowboy composer, singer, and songwriter Brenn Hill, who saw a song in the incident. He penned “Black Joe” and recorded it for his 2018 album Rocky Mountain Drifter.

Being a fan of Brenn Hill’s many talents, I heard the song numerous times as I played and replayed the album and saw in it the idea for a tale that starts with the story in the song and goes from there. The result is the short story “Black Joe.” (Starring, as it happens, two cowboys named Andy Hill and Brenn Nelson.)

So, many thanks to Jim Nelson, Andy Nelson, Brenn Hill, Saddlebag Dispatches, Western Fictioneers, Five Star Publishing, and you for the parts you all played in making “Black Joe” a success.

 

Coming Attractions.

This Thy Brother, sequel to my earlier novel, Father unto Many Sons, is slated for release by Five Star later in August. The book picks up the story of the Pate and Lewis families as they work to establish themselves in a new land in New Mexico, and follows the wayward Pate brothers who left the fold in the earlier book.

A few months later, in October, Five Star will release With a Kiss I Die. This love story follows an emigrant girl leaving Arkansas and a Mormon boy in Utah Territory as they attempt to find a life together despite opposition from all directions. This Romeo-and-Juliet-like story ends in southern Utah at Mountain Meadows.

Shortly after the first of the year comes a collection of my short fiction from Five Star, Black Joe and Other Selected Stories. Included is the Western Fictioneers Peacemaker Award-winning title story, two Western Writers of America Spur Award winners, and several other new and used stories.

Also lurking, with publication dates pending but uncertain, are two original novels from Speaking Volumes, Rawhide Robinson Rides a Wormhole—A True Adventure of Bravery and Daring in the Weird West, and a novel set in the mid-twentieth century, Silver Screen Cowboy. 

More to come.

“Black Joe” wins.

Western Fictioneers is a professional organization of authors formed in 2010 to “to preserve, honor, and promote traditional Western writing in the 21st century.” To that end, each year they bestow Peacemaker Awards—named for Samuel Colt’s famous pistol—to honor the best in Western writing.

 The 2021 Peacemaker Award winners were announced recently, and I am tickled pink to pass along news that my story “Black Joe” took the prize for Best Western Short Fiction. “Black Joe” was published in the Winter 2019/2020 issue of Saddlebag Dispatches magazine.

The story was inspired by a song of the same name from Brenn Hill’s album Rocky Mountain Drifter (which also includes the song built from my poem “And the River Ran Red”). Brenn’s “Black Joe” song was inspired by a violent encounter with a mustang stud as told to Brenn by his compadre Andy Nelson, a standout cowboy poet, performer, humorist, and author. Andy got the story from his father, Jim Nelson. There’s a lot of literary license involved in my telling, but there is no doubt about the seed from which the story sprouted.

“Black Joe” is a fine short story—if I do say so myself—but the credit goes to those mentioned above. All I did was type.

 

My favorite short story.

 

“Genesis” is a long short story—82 pages—tucked into the middle of Wallace Stegner’s Wolf Willow. The tale’s main character is Lionel “Rusty” Cullen, a 19-year-old Englishman who migrated to cattle country in Saskatchewan, intrigued by the romance of the Old West and in search of adventure. It didn’t take him long to realize his notions of cowboy life were misguided:

    Already, within a day, Rusty felt how circumstances had hardened, how what had been an adventure revealed itself as a job.

 Rusty also realizes he is but a pilgrim, least among the nine cowboys who ride out on a late fall roundup to bring in calves for winter feeding. Still, he is determined, even eager, to give it his best, to prove himself a man among men.
        As with many Westerns, landscape and weather are also characters in the story. The roundup is interrupted repeatedly by early blizzards that scatter the cattle time and again. The storms become so violent and the cold so brutal the men are forced to abandon the herd, even the remuda, to race across the plains at a snail’s pace, trying to outrun death itself.
        Romantic notions, if any still exist at this point, are further disabused by the awareness that these men, and others like them throughout the West’s cattle country, put their lives at peril:

For owners off in Aberdeen or Toronto or Calgary or Butte who would never come out themselves and risk what they demanded of any cowboy for twenty dollars a month and found.

 As much as I like “Genesis” for what it includes—a realistic look at cowboy life and work, albeit in extreme circumstances—I like it for what it does not include. There’s not a single gunfight. No Hollywood walk-down quick-draw contest, no snarling packs of bad guys shooting up the streets and back alleys and saloons of a wooden town. There’s no damsel in distress—unless you count mother cows and heifer calves. No splendid super steeds racing at top speed across page after page with nary a stop for a blow, a sip of water, a mouthful of grass. And there are no six-foot-tall bulletproof heroes with broad shoulders, narrow hips, and a steely gaze.
        That’s not to say there’s no courage, bravery, or heroics in “Genesis.” But it’s realistic valor, not the over-the-top imaginary superhero stuff so common in Western stories. Stegner sums it up best when, near the end of the tale, he says this about Rusty:

 It was probably a step in the making of a cowhand when he learned that what would pass for heroics in a softer world was only chores around here.

 

Dispatches from the West.

Saddlebag Dispatches has a new issue available. As always, it’s big and colorful and filled with all things Western. A few of the items in the magazine have my name at the top.

A new short story, “Black Joe,” is about a wild mustang stud and his clashes with a rancher. There’s a feature article about the PBR Ty Murray Top Hand Award, and the collaboration between Ty Murray and the designer and sculptor behind the award, Jeff Wolf. My rodeo poem about how the Star Spangled Banner affects bareback riders, “Long May It Wave,” is given a beautiful presentation. And, finally, my regular “Best of the West” column features what must be the oldest of the Old West’s best towns, Taos Pueblo.

If you don’t read Saddlebag Dispatches, you’re missing out on a fine publication, offering a lot of variety in its presentation of the American West, old and new. Follow the link and take a look.

One sitting each.

A “short story” has been defined as one that can be read in one sitting. That being the case, Hobnail and Other Frontier Stories, a new anthology from Five Star, is good for seventeen sittings.

Some of my favorite Western writers, including Loren D. Estleman, Johnny D. Boggs, and John D. Nesbitt are featured here. And there is a story by yours truly.

“The Times of a Sign” is about mules and jacks and horses and thievery, as it tells of a young man who takes part in a horse-stealing expedition to California, which leads to establishing a mule- and oxen-breeding operation in Missouri. As he explains to a questioner the absurdity of the sign advertising his enterprise, he relates the adventure of establishing the business.

The sign reads:

for sale

mules and oxen

breeding stock

     

What could possibly upset him so? One sitting with Hobnail and Other Frontier Stories will answer that question.

Ding Dong.

It’s the end of the year. Time to ring out 2019 and ring in 2020. Time to look back and time to look ahead. Time to take stock of our lives—or, in my case here, the writing life.

 No new books with my name on the spine were released in 2019, save the large-print edition of my November 2018 novel Father unto Many Sons.

I am tempted to defend myself by saying I haven’t spent the year just sitting on my butt. Then it occurred to me that sitting on their butts is exactly what writers do. A lot.

During all that sitting on my butt in 2019, I worked with Five Star Publishing to get Pinebox Collins ready for April 2020 release, and working on getting a second novel, A Thousand Dead Horses, ready for November release.  

A third novel, And the River Ran Red, is awaiting publication, most likely in 2021. A fourth novel, All My Sins Remembered, is also in Five Star’s hands.

Late in 2019, Five Star released an anthology, Hobnail and Other Frontier Stories, which includes my short story, “The Times of a Sign.” And I worked with editors Nancy Plain and Rachelle “Rocky” Gibbons on a chapter for Go West: Seldom-Told Stories from History, a nonfiction anthology for young readers that Two Dot will publish in 2021. My piece is titled “Earl Bascom and His Bronc-Bustin’ Brothers: Fathers of Modern Rodeo.”

I also managed to write a magazine article for Cowboys & Indians; another for Range magazine; a feature article, a column, and a poem for Saddlebag Dispatches; and a book review for True West magazine. And, Grits McMorrow reprinted several of my essays on writing poetry in his Minnekahta eMessenger.

If I weren’t so lazy, I would get more done. Maybe in 2020….

But for now, back to sitting on my butt.

The Old West, one sitting at a time.

Just exactly what constitutes a “short story” in fiction is not easy to determine. But, as a general rule, it’s “a story that can be read in one sitting.” Where the reader is sitting at the time is of no consequence and need not be discussed here.

Unlike a novel, a short story provides a jolt of enjoyment without requiring a serious commitment or lengthy relationship. More like a love affair than a marriage, if you will.

Five Star, one of the leading publishers of the literature of the West, has a new anthology of short fiction on the way: Contention and Other Frontier Stories. Between the covers are 17 stories by some of the best authors writing about the West today. Among them are Western Writers Hall of Fame member Loren D. Estleman and record-setting Spur Award-winning author Johnny D. Boggs.

And there are stories by several other writers, many of who I am pleased to know and admire and count among my friends.

There’s even a story by yours truly in the book, “Bullwhacker,” inspired by a genuine pioneer woman who made her way west under hard circumstances.

Contention and Other Frontier Stories is scheduled for release May 15, but is now available online for advance orders. Order a copy for yourself, and others for your friends. Then, once the book arrives, take a seat and enjoy. And keep on enjoying, through 17 sittings.

Gads, gut hooks, and grapplin’ irons.

Cowboys call them by all kinds of names—gads, gut hooks, and grapplin’ irons among them. Then there’s can openers, rib wrenches, and buzzsaws. And more.

But the official name—if there is such a thing in Western lingo—is spurs.

Spurs are a common cowboy tool, in everyday use wherever horses are saddled. But Western Writers of America borrowed the name and attached it to something uncommon and not everyday. As the organization puts it, “Western Writers of America annually honors writers for distinguished writing about the American West with the Spur Awards.”

Winners of the 2018 Spur Awards were announced recently, and I am honored to know several recipients and their work. And I am especially honored to once again be counted among them.

“Lost and Found” is a short story published last year in Saddlebag Dispatches that tells of a modern-day cowboy who loses a piece of his thumb in his dallies while gathering strays on a remote range, and finds the body of a dead boy dumped in a dry wash.

The judges somehow found it worthy and named it the Spur Award winner for Best Western Short Fiction.

Also published in Saddlebag Dispatches, my poem “The Knowing” was named a Finalist for the Spur Award for Best Western Poem. My friend and fine poet Marleen Bussma won the Spur for her poem, “She Saddles Her Own Horse.”

All thanks to the late Dusty Richards and to Casey Cowan who elected to publish the story and the poem in their magazine. And appreciation to the Spur Award judges who bestowed these honors.

I am more than happy to pound a couple more nails in the wall.

“Death” comes to life.

The Death of Delgado and Other Stories has come to life from Pen-L Publishing and is now available for your reading and browsing pleasure. This collection of short stories includes several published in a variety of anthologies over the years as well as some seeing print for the first time.

The title story won the Western Writers of America Spur Award for Best Western Short Fiction in 2012 and “A Border Affair” was a Finalist for that award in 2006. The stories range from traditional-type Westerns to those with a more historical bent to humor to mystery to flash fiction and some that don’t fit any category. All are set in the olden days of the American West save one modern-day story set at a rodeo and another that is a contemporary parody—or maybe satire.

Your best deal on the book will come directly from the publisher ( www.pen-l.com ) and it is available from online booksellers and by order from any bookstore.

Short stories are fun to write and enjoyable to read. In one sitting, you get a heaping helping of action, adventure, humor, or other tasty treat. I think you’ll like The Death of Delgado and Other Stories.

If not, let me know. If you do, tell everybody.

They’ve got me covered.

Pen-L Publishing has designed what I think is a damn good looking cover for my forthcoming collection of short stories. The title of the book is (as you can plainly see) The Death of Delgado and Other Stories.

“The Death of Delgado” won a Spur Award for Best Western Short Story in 2012. The “Other Stories” in the book include “A Border Affair,” which was a Finalist for the same award back in 2006. Most of the stories in the collection have appeared in various anthologies over the years; some are seeing print for the first time in this collection.

As was the case with my collection of poetry, Goodnight Goes Riding and Other Poems, (winner of the Westerners International Award for Best Poetry Book, by the way) the folks at Pen-L Publishing have been a pleasure to work with.

The Death of Delgado and Other Stories will be released in the not-too-distant future. We’ll keep you informed.

Meanwhile, that handsome cover should keep your anticipation simmering—at least it will for me. Don’t forget that Christmas is coming, and that books make the best gifts.

New online magazine for Western fans.

My friend Dusty Richards is always up to something. Since completing his term as president of Western Writers of America, I guess he needed something to do (besides turning out one good Western novel after another) so he gathered up a bunch of other folks and started a magazine.

The first issue of Saddlebag Dispatches is now online. It features Western fiction, poetry, and nonfiction about the West, with stories by some fine writers.

And me.

“The Passing of Number Sixteen” will run as a three-part serial in the first three issues. It’s a modern-day mystery with a rodeo setting, all about the strange shooting of a bucking horse.

Saddlebag Dispatches is free. All you have to do is click on this link: http://www.saddlebagdispatches.com/campfire.html. It will take you to the magazine, then click on the cover and the whole thing will download.

Then start reading. And enjoy.