and the winner is . . .

Western Fictioneers, formed by professional writers in 2010 “to preserve, honor, and promote traditional Western writing in the 21st century,” just announced the winners of the annual Peacemaker Awards.

Lo and behold, my book Where the Long Trail Ends was named Best Western Novel.

Sometimes you get lucky. I am pleased and surprised in equal measure.

In other award news, two of my works were named finalists for Western Writers of America Spur Awards. “Leftovers,” from my collection Buckoffs and Broken Barriers: Rodeo Poems, is a Spur Award Finalist for Best Western Poem. “Rawhide Robinson Faces Fear,” from the collection of short stories with Michael Norman, Shiny Spurs and Gold Medallions, is a Spur Awards Finalist for Best Western Short Fiction.

Good news from the premier professional organizations for Western writers.

When it rains it pours. Thank goodness—out here in the West we can use the water.

My favorite book, Part 31

There is no shortage of novels about violence in trail drive cowtowns. Some are well written. Most are fairly predictable, even some that are well written. But too many of them rely on the clichés and stereotypes and nonsense we have all been fed too much in shoot-’em-up books and movies and TV shows.

Bloody Newton by Johnny D. Boggs is different. It won a Spur Award from Western Writers of America and deserves the honor.

The story revolves around an actual incident, the Tuttle’s Dance Hall Massacre of 1871. (Also known as the Newton Massacre and the Hide Park Gunfight.) The newborn town of Newton, Kansas, is attracting Texas cattle herds to the railhead there, making the place as wild and woolly as any Old West town.

The author enriches his tale with parallel stories of a family of Texas cowboys, a woman restauranteur struggling to set up shop in Newton, and a newspaper woman from the Wichita Times who was more-or-less exiled to Newton in order to get her out of the editor’s hair.

As the individual stories build, they are braided together toward a fascinating climax. The period detail is well rendered, the characters are believable and distinct, and the violence is rendered so masterfully that it can cause chills.

It’s hard to go wrong with any novel that says Johnny D. Boggs on the cover. But, for me, Bloody Newton is among the author’s finest work, right up there with Northfield, one of my all-time favorite Western novels.

 

See page 26.

The August 2023 issue of Roundup Magazine, official publication of Western Writers of America, focuses on the theme “Writing the Traditional Western Novel” in a series of articles. One story, by Western Writers Hall of Fame author Loren D. Estleman, offers a departure to talk about Western novels that stray from the herd in search of something more.

Estleman writes in “Westerns: Beyond Tradition”: “The difference between the ‘traditional’ Western and literature that resonates through the decades is the sense that these stories are not confined to the page. The characters seem to have a life outside the story. Men and women live and die, often violently; but they don’t exist merely to thrill. While they live, other lives are affected, and when they die, others are left to mourn, or at least ask why. That simple premise is what separates the enduring classic from empty tradition.”

Offered as examples are The Virginian by Owen Wister (of which, Estleman says, “Nearly all the tropes we associate with the Western were invented by one writer in one book”), Shane by Jack Schafer, True Grit by Charles Portis, the novella “A Man Called Horse” by Dorothy M. Johnson, Ride the Wind by Lucia St. Clair Robson, and All My Sins Remembered by Rod Miller.

What? If that last bit surprises you, imagine my surprise when I saw it. About the book, Estleman writes, among other things, “Miller tells his story with a minimum of emotion and just the right amount of pathos, masterfully expressed between the lines of his spare prose. A 2022 release, All My Sins Remembered is a late addition to the long string of Western classics and promises that it’s nowhere near its end.”

By happenstance, when the article appeared I had just started proofreading the galleys for the pending paperback and eBook editions of All My Sins Remembered, due out within the next couple of months. The hardcover edition is still out there and will be, I hope, for a long, long time.

For young readers of all ages.

What happens when you round up twenty members of Western Writers of America, assign a couple of editors to ride herd on them, have each of them cut out a true—but little known—story from the Wild West and tell it in a way that will engage teenage readers?

You get Why Cows Need Cowboys and Other Seldom-Told Tales from the American West.

Editors Nancy Plain and Rocky Gibbons have accomplished a first in the annals of Western writing with this anthology. WWA has created other anthologies and collections over the years covering a wide range, but never before, not since its establishment in 1953, has a herd of some of America’s most accomplished Western writers pointed their pens and pencils in the direction of our youth.

Well done.

But you don’t have to be an adolescent to read and enjoy and learn from this book. Even those who are well-read in Western history will find new and entertaining incidents and episodes, people and places in these pages.

You’ll even find out why it took Earl—one of the Bronc-Bustin’ Bascom Brothers—sixty-five years to get the All-Around Cowboy trophy buckle he won at a rodeo. I know, because I got to tell that story.

 

And the envelope, please…

 

Western Fictioneers recently announced the Finalists for the annual Peacemaker Awards (named for Sam Colt’s famous revolver that some say won the West) for Western fiction published in 2018.

I am tickled pink to say that Father unto Many Sons is among the candidates for Best Novel, and Rawhide Robinson Rides a Dromedary: The True Tale of a Wild West Camel Caballero is on the list for Best Young Adult or Children’s Fiction. (This book, you may recall, will also be recognized as a Finalist for the Western Writers of America Spur Award.)

The winners will be announced mid-June. But, if neither novel tops the Western Fictioneer charts, it is still an honor to make the short list.

Sometimes you get lucky.

Singing for Spurs.

“And the River Ran Red,” a song by Brenn Hill with lyrics from my poem, has been the subject of more than one of these discourses. It is most likely an ego trip, but it could be sheer excitement at hearing my words set to music in such a moving song.

Whatever the reason, I am not the only one enamored with the song.

Western Writers of America recently selected it as a Spur Award Finalist. Which means, in the opinion of the judges, “And the River Ran Red” is one of the two or three best songs about the American West released last year.

All credit for the achievement goes to Brenn and his stellar talents as a composer and singer and music producer.

Still, I will hang my copy of the award certificate on the wall.

Gads, gut hooks, and grapplin’ irons.

Cowboys call them by all kinds of names—gads, gut hooks, and grapplin’ irons among them. Then there’s can openers, rib wrenches, and buzzsaws. And more.

But the official name—if there is such a thing in Western lingo—is spurs.

Spurs are a common cowboy tool, in everyday use wherever horses are saddled. But Western Writers of America borrowed the name and attached it to something uncommon and not everyday. As the organization puts it, “Western Writers of America annually honors writers for distinguished writing about the American West with the Spur Awards.”

Winners of the 2018 Spur Awards were announced recently, and I am honored to know several recipients and their work. And I am especially honored to once again be counted among them.

“Lost and Found” is a short story published last year in Saddlebag Dispatches that tells of a modern-day cowboy who loses a piece of his thumb in his dallies while gathering strays on a remote range, and finds the body of a dead boy dumped in a dry wash.

The judges somehow found it worthy and named it the Spur Award winner for Best Western Short Fiction.

Also published in Saddlebag Dispatches, my poem “The Knowing” was named a Finalist for the Spur Award for Best Western Poem. My friend and fine poet Marleen Bussma won the Spur for her poem, “She Saddles Her Own Horse.”

All thanks to the late Dusty Richards and to Casey Cowan who elected to publish the story and the poem in their magazine. And appreciation to the Spur Award judges who bestowed these honors.

I am more than happy to pound a couple more nails in the wall.

Kansas City, here we come.

That title—a stolen line from a classic song—isn’t true, but it is more melodious than the factual “Kansas City, there we’ve been.” Last week was the annual Western Writers of America convention, held, as you have probably guessed, in Kansas City. 

Always a high point in the year, the WWA convention gives me the chance to learn a few new things, meet a few new writers, and, best of all, spend some time with writers I’ve met at earlier conventions and who have become friends. I find that hanging around with people who are smarter than I am (they are not hard to find) is always stimulating.

The only downside to the convention is that the family members who travel with me get to spend their days seeing all manner of interesting places and things while I am at meetings. But I do get to tuck in a few such visits now and then and see things I’ve never seen before—like the Arabia Steamboat Museum, home to 200 tons of artifacts recovered from a steamboat that sank in 1856 and was recovered 132 years later from deep under a cornfield. More about that another day.

Next summer, WWA convenes in Billings, Montana. I’ve been there for one reason or another several times over the years, and am already looking forward to returning to Big Sky Country.

My Favorite Book, Part 7

Win Blevins appears on my list as author of a couple of my favorite novels. But while filled with interesting short stories, this book is nonfiction.

The Dictionary of the American West includes definitions and explanations of “Over 5,000 terms and expressions from Aarigaa to Zopilote.” It not only makes for enjoyable browsing, it is a handy reference, always at hand on the shelf next to my desk.

I also use and enjoy Ramon Adams’s Western Words, but while that book covers cowboy lingo well, the Dictionary of the American West is broader in its scope, including language from other subcultures, including mountain men, miners, Indian tribes, fishermen, Hispanics, and on and on.

While better known as a Western Writers Hall of Fame author of fiction—and you’ll see him here again for that—today Win Blevins earns a place on my list of favorite books for this important work of nonfiction and history and lexicography.

Rawhide Robinson Rides On.

Rawhide Robinson—that ordinary cowboy who often finds himself involved in the extraordinary—has been good to me.

In his first appearance, Rawhide Robinson Rides the Range: True Adventures of Bravery and Daring in the Wild West, he won a Western Writers of America Spur Award. For his second novel, Rawhide Robinson Rides the Tabby Trail: The True Tale of a Wild West CATastrophe, he was a Spur Award Finalist and won a Western Fictioneers Peacemaker Award.

I’m happy to announce that our cowboy hero will be back. I recently received signed contracts from Five Star Publishing for Rawhide Robinson Rides a Dromedary: The True Tale of a Wild West Camel Caballero.

As you no doubt discern from the title, the adventure that’s the basis for this book has to do with camels. It was inspired by and is loosely—very loosely—based on the US Army’s attempt to acquire and employ camels in the southwestern deserts back in the nineteenth century.

In its pages, Rawhide Robinson finds himself sailing the high seas, experiencing exotic Levantine ports of call, and forking a camel in the Texas outback. Of course Rawhide Robinson wouldn’t be Rawhide Robinson if he didn’t spend time around the campfire spinning tales about his supposed adventures and escapades.

No release date as yet. I’ll keep you informed.

Lies They Tell Writers, Part 32: details, details, details.

Many writing instructors encourage, and many writers practice, descriptive writing rife with details. They’ll tell you descriptive details of people and places and things that involve all the senses make stories more interesting and help readers create mental pictures. I’ve heard “critics” in critique groups complain about lack of description of characters in the writing of others, and say that details about characters’ appearance and manner and such will help us “get to know them.”

Maybe. Maybe not.

There’s another approach—one I prefer—that gives lie to that norm. It is summed up admirably by these two simple rules:

“Avoid detailed descriptions of characters.”

“Don’t go into great detail describing places and things.” That rule goes on to advise avoiding such descriptions “unless you’re Margaret Atwood and can paint scenes with language. You don’t want descriptions that bring the action, the flow of the story, to a standstill.”

I put those rules in quotation marks because they’re not mine. They belong to the late, great Elmore Leonard—author of many best-selling novels and winner of numerous literary awards, including the Owen Wister Award for Lifetime Achievement from Western Writers of America and induction into the Western Writers Hall of Fame. Leonard’s Western works include Last Stand at Saber River, Hombre, Valdez is Coming, and “Three Ten to Yuma.” He was also a giant in crime fiction, with several prize-winning novels (many that became movies) to his credit.

His sparse, bare-bones style appeals to me. And, beyond avoiding bringing a story to a standstill with detailed descriptions, Leonard’s approach is more involving for readers—it allows us to participate in the story, to create our own mental pictures of people and places and things, rather than have them handed to us.

In his award-winning and best-selling novel All the Pretty Horses, Cormac McCarthy—despite his ability to write florid descriptions—provides not a single clue as to the appearance of the book’s main characters, John Grady Cole and Lacey Rawlins.

We could go on.

The point is, there’s more than one way to write about people, places, and things. So don’t believe everything they tell you—at least not in every detail.

There will be further discussion of this topic—in greater detail—to come.

“Goodbye, Old Paint…

…I’m leavin’ Cheyenne.”

Truth be told, unlike that classic cowboy song lyric, I’ve already left Cheyenne. We were there last week for the annual Western Writers of America convention.

As usual, the WWA convention was a good time. I saw lots of fellow writers who’ve become friends over the years, and I met some who likely will become friends. I sat in some interesting panel discussions and presentations and visited some interesting historic sites in the area. And, to repeat myself, my novel Rawhide Robinson Rides the Tabby Trail: TheTrue Tale of a Wild West CATastrophe received a handsome certificate as a Finalist for the Spur Award for Best Western Juvenile Fiction, a book suitable for readers from junior high age to geriatric.

Without a doubt, the highlight of the convention was the acceptance of a Spur Award for Best Western Storyteller by young author JoJo Thoreau, author of the illustrated children’s book Buckaroo Bobbie Sue. Calling her young is not an exaggeration—JoJo is nine years old.

Which is certainly a novelty.

But her book and her Spur Award are no novelty. She’s an honest-to-goodness writer and Buckaroo Bobbie Sue is an honest–to-goodness book. It‘s the colorfully illustrated rhyming story of a young girl’s wish to, as we say in the cowboy trade, “make a hand,” and her rise to heroics at the right minute.

I played a small role in the making of the book and am pleased as punch that JoJo (who’s too young to know better) trusted me help out.

Leaving Cheyenne wasn’t easy, but at least as we rode out of town “leading Old Dan” we left with saddlebags full of fine memories—including meeting in person the budding—but already accomplished—author JoJo Thoreau.

 

Tracking Lovers, Wives & Mothers.

Western Writers of America named “Parker Eyes of Blue” by Almeda Bradshaw a Spur Award Finalist for Best Western Song.

It’s no wonder.

The song recounts the kidnapping of ten-year-old Cynthia Ann Parker by Comanche warriors during an 1836 raid in Texas. The words of the song range from lyrically beautiful:

Her eyes were the skies of the Llano Estacado

Wide and deep and blue

to hauntingly graphic:

Face down hands and feet were bound

Escaping not the brutal sound

Of women raped upon the ground

Indian vocals open and close the song, with Almeda singing the story in between. WWA isn’t the only organization to honor the remarkable song; it’s also recognized by the Western Music Association.

“Parker Eyes of Blue” may be my favorite, but it’s only one of eleven excellent tracks on her Lovers, Wives & Mothers album—which, you might surmise, gives us a look at the West from a female perspective. Musical styles vary from folksy traditional to hints of Western Swing and bluegrass.

Most tracks are Almeda originals, including music she composed to turn poems by master poets Colen Sweeten and Bette Wolf Duncan into songs. Another composition is Almeda’s answer to “Sharon Little Hawk,” a song by Dave Stamey, one of the all-time best Western songwriters. Two of Stamey’s songs, along with tunes by other songwriting legends Tom Russell and Ian Tyson, round out the album.

If you’re a fan of Western music, you’ll like Lovers, Wives & Mothers. If you’re not, this album could change your mind.

Rawhide Robinson feels the prod of a Spur rowel.

My latest novel, Rawhide Robinson Rides the Tabby Trail: The True Tale of a Wild West CATastrophe, is a rollicking story of an ordinary cowboy who finds himself in extraordinary situations. This time, he sets out to relieve a rat infestation in the mining boomtown of Tombstone by driving a herd of cats there. On top of the adventures the drovers meet along the way, Rawhide Robinson regales the cowboy crew around the campfire with more of his over-the-top tall-tale escapades.

Young adults and adults who have never quite grown up all the way will enjoy the humor and excitement in the stories.

It seems the judges in the Western Writers of America Spur Awards enjoyed the book, as they selected it as a Finalist for Best Western Juvenile Novel. I’m looking forward to the award ceremony at the WWA convention in June in Cheyenne, Wyoming.

My earlier Rawhide Robinson novel, Rawhide Robinson Rides the Range: True Adventures of Bravery and Daring in the Wild West, won the 2015 Spur Award.

Not a bad showing for an ordinary cowboy.

Reminder: I will be talking about Western writing at the Write Here in Ephraim writers conference. C’mon down and join the fun.

Hall of Famers I have known.

While I have read the work of many members of the Western Writers Hall of Fame, most lived and many died before my time, so I never knew, or even met them.

Until now.

Last year, Western Writers of America inducted recipients of the Owen Wister Award—and its predecessor, the Saddleman Award—honors recognizing lifetime achievement—into the Western Writers Hall of Fame. Many so honored have passed on. But some are still among us, and still writing.

So, I have now met several Hall of Famers. I know (or knew) some fairly well. And I have had the pleasure of working with a couple of them, as editors.

In no particular order the Hall of Famers I have known to some extent are Judy Alter, Win Blevins, Don Coldsmith, Robert Conley, Jim Crutchfield, David Dary, Loren Estleman, Max Evans, Bill Gulick, Elmer Kelton, Leon Metz, Jory Sherman, Robert Utley, and Dale Walker.

A fine group of writers, and every one worthy of the recognition they have received and then some. I admire their work and I admire (or admired) them personally. Knowing them is as close to greatness as I will come as a writer.

Stuart Rosebrook and I wrote an article profiling these and other Hall of Fame inductees for the current issue of Ranch & Reata magazine. You’ll want a copy. (http://www.ranchandreata.com/)

(The Hall of Fame induction ceremony photo belongs to future Hall-of-Famer Johnny Boggs.)

Checking the books for 2015.

It’s the beginning of a new year, which is a good time for an accounting. All things considered, 2015 was a pretty good year for books with my name on the cover.

Rawhide Robinson Rides the Range won the Spur Award from Western Writers of America, which was quite an honor.

 In May, TwoDot/Globe Pequot/Rowman & Littlefield released The Lost Frontier: Momentous Moments in the Old West You May Have Missed. It’s a nonfiction book, a collection of events and people in Western history that are not well known.

 In November, Pen-L Publishing released The Death of Delgado and Other Stories. This one is fiction, a collection of short stories. Some are seeing print for the first time in the collection, most have appeared over the years in Western anthologies.

My publishing year ended December 16 with the release by Five Star of Rawhide Robinson Rides the Tabby Trail: The True Tale of a Wild West CATastrophe. This hardcover novel is the account of a trail drive—of a herd of cats—to Tombstone, Arizona, with a bunch of campfire tall tales woven into the story. Adults and young adults alike should get a grin out of it.

These books—and others I have written—can be ordered at your local bookstore or are available through online booksellers. ( Try amazon.com/author/rodmiller ) You’ll get the best deal on The Death of Delgado by ordering directly from Pen-L Publishing.  

Happy New Year, and may you spend it reading.