As noted in the previous post, the week that turned January into
February was a busy one. The morning after attending anniversary ceremonies at
the site of the Massacre at Bear River, we packed up and headed to Elko, Nevada,
for the National
Cowboy Poetry Gathering. Besides enjoying the poets and musicians from the audience, I
was also gathering material for an upcoming feature story for Saddlebag Dispatches magazine.
The story focuses on the wide variety of cowboy music on offer at
the Gathering, “cowboy music” being defined as any damn song a cowboy likes.
I had the opportunity to interview (or “sit down with,” in banal
journalistic babble) several artists who write, compose, and/or perform music.
That included Jessie Veeder (pictured),
a North Dakota rancher who sings about the life with a contemporary twist; Andy Hedges, a songster who collects and sings old-time, traditional cowboy
tunes; Dave Stamey, widely
recognized as one of the best Western songwriters and performers on stage
today; Geno Delafose and his
French Rockin’ Boogie zydeco band from the Louisiana prairies; Denise Withnell
of Canada’s Cowboy Celtic band that
pays homage to the even-more-ancient roots of many old cowboy songs; Wylie
Gustafson of Wylie and the
Wild West—“wild”
being the operative word; Montana poet, songwriter, and singer DW Groethe; and honey-voiced horsewoman Trinity Seely.
And that’s not even counting the many other artists I had neither
time nor space to feature.
As you can imagine, the variety in the musical offerings at Elko,
and everywhere else Western enthusiasts gather, is rich and varied—something
and someone for every cowboy (whether cowboy in fact or in spirit) to enjoy.