There is no
shortage of advice for fiction writers about characterization. You couldn’t throw
a loop at a writers’ conference without catching a session about character
development.
You’ll hear endless
discussions comparing implicit and explicit characterization. You’ll hear about
archetypes and character voice. Introduction and emergence. And other fancy
ways of talking about the people you make up to populate your made-up stories.
The problem,
as most successful writers will admit, is that characters have a way of saying
and doing things you never intended. They routinely violate the commandments
you laid down in your “character bible.” They’ll often thumb their noses at you
and do what they please, whether you like it or not.
Sometimes,
characters simply refuse to develop the way you planned.
When that happens,
you know you’ve done your job.
That’s
because characters that take the bit in their teeth and run off with you are
more like real people than carefully crafted, methodically developed, perfectly
polished props.
Come to
think of it, when it comes to successful character development, being a writer
is a lot like being a parent.