Showing posts with label Bob Schild. Show all posts
Showing posts with label Bob Schild. Show all posts

Sunday, January 26, 2020

The whistle has sounded.


Bob Schild’s ride is over. He left us January 20. And, no matter what criteria you use for judging, Bob made the whistle on a winning ride.
The years found Bob in a variety of arenas. He was a rodeo cowboy of the first order, successful in all the rough stock events with numerous championships to his credit. He was a businessman, establishing and operating B-Bar-B Leather for decades, building and selling saddles, rodeo gear, and providing all manner of horse equipment; a business passed down to his sons. He was a poet, long before cowboy poetry became the thing to do.
When I first thought to pen poetry, I looked to Bob’s work for inspiration and an education. Beyond mere rhyming stories, Bob’s verse showed literary technique, deep thinking, and attention to craft. I wanted to meet him.
I tracked Bob down at the National Circuit Finals Rodeo one year, where I found him sweeping up under the grandstands. That’s the way Bob was—always willing to lend a hand and do any job that needed doing. He was happy to make my acquaintance and willing to talk poetry and rodeo anytime, any place.
We became friends, and for years engaged in a one-sided admiration society. I had little to contribute to the relationship. Bob gave it his all. I wish time and distance hadn’t gotten in the way of my spending more time with him.
A few magazine articles focusing on Bob found their way into print, and it was difficult for me as a writer to maintain any semblance of objectivity when writing about him. 
I will never forget Bob Schild. Even though the whistle has sounded, his winning score is permanently inked in the record books.








Saturday, May 14, 2016

Bye-Bye Byline: Ranch & Reata, for the last time.


The new issue of Ranch & Reata is out. Unfortunately, it’s the last of what has been an outstanding publication. For more than five years, the magazine has covered a lot of interesting people and places from all around the West. I know, because I had the opportunity to write about many of them.
While I didn’t have a byline in every issue, it was pretty close—and, in a few, I had two stories. That’s the case with this final issue.
“The Top hand and the Tenderfoot” compares the experiences of two poets at the 2016 National Cowboy Poetry Gathering—Wally McRae, who has been there since the beginning more than three decades ago, and Marleen Bussma, who made her first appearance this year. It’s an interesting look at what has become a fixture in the world of Western culture, seen through the eyes of a pair of participants.
Also in the magazine is “Ninety Percent Off,” a story about War Paint, the legendary saddle bronc horse of the ’50s and ’60s who bucked off about nine out of ten of all the rodeo cowboys who stretched a cinch around his middle. Among his victims were the best bronc riders in the business, including world champions. The article was inspired by and quotes Idaho cowboy Bob Schild, who got on—and off—War Paint twice in his career.
I’m sorry to see Ranch & Reata go. It has been a real pleasure to pen stories for them.