Really stupid words, Chapter 11.

It has long been a curiosity why, when we have perfectly good words in our rich language, we are so eager to jump on the bandwagon of the latest Rube Goldberg-concoction and turn it into a buzzword.

A somewhat recent example: “Going forward.”

Now, I am a soccer fan. And, for as long as I remember, “going forward” is what a soccer team does when it is on the attack. It’s a simple, apt description of something or someone moving in a defined direction in the physical world.

Nowadays, it has become almost standard vernacular used to describe something else. And the description is not nearly so apt, if it is apt at all.

We used to say, “in the future” or “from now on” or, if you wanted to sound pretentious, you might say, “henceforth” or “hereafter” or “from this time forth.” All those words and phrases mean what they mean, cannot mean anything else, and are perfectly descriptive.

“Going forward”? Not so.

Then there’s the long-standing philosophical argument about whether time moves in a “forward” direction at all, or whether it moves around and around in a cycle. But we’ll leave that discussion to the philosophers.

Years ago, in a meeting at the office, a coworker used “going forward” when it was still fresh and new. Afterward, I asked him why, and he said he did not know any other way to say what he meant. I guess he forgot that, as recently as the day before, he would have been perfectly happy to say, “from now on.”

Stupid.

New news and newer news.

 

The release of my newest novel, Pinebox Collins, is days away. It’s about a one-legged itinerant undertaker in the Old West. In his travels from place to place, Jonathon “Pinebox” Collins sees the West grow and change. He spends time in cowtowns, mining boomtowns, small towns, and thriving cities. And he crosses paths with some of the wildest characters the Wild West has to offer, including “Wild Bill” Hickok.

Next in line, slated for release in late August or early September, is my newer novel, A Thousand Dead Horses. That’s the cover, above, seen here in public for the first time. Set in 1840, it is based on a historic horse-stealing adventure, when mountain men and Ute Indians followed the Old Spanish Trail to California and robbed ranchos there of some 3,000 horses and mules, many of which did not make it across the Mojave Desert alive.

These books are going to need shelves to sit on, so please make room on yours. Thank you.

Postponed.

In an abundance of caution, this post has been postponed.

Please make sure your anti-virus software is up to date. And if our inept administration ever gets its act together, scan for any infected files.

Be careful out there.

Listening to horses.

In days gone by, you heard a lot about “horse whisperers.” These trainers had developed a knack of communicating with the animals that revolutionized handling horses. It’s a good thing.

But some trainers go beyond merely speaking a horse’s language. Some, like Joe Wolter, are just as adept at listening to horses as talking to them. Joe Wolter learned from the best, including Ray Hunt and the Dorrance brothers.

But, mostly, he learned from horses. And he passes that knowledge along at horsemanship clinics across the country.

A friend of mine, Cameron Wilkinson, has put together Joe Wolter clinics at the Utah County Fairgrounds in Spanish Fork, Utah. If you’re within trailer-pulling distance of the place, you’d do well to load up your horses and hit the road.

The clinics are June 12 through 14. But the registration deadline is coming right up, so reserve your place by April 15. (It’ll be a much more pleasant experience than filing your taxes.) Space is limited, so don’t wait—contact Cameron by e-mail today (bronc.cw@gmail.com). 

Listen to your horses. They want to be there.

The week that was, Part Two.

As noted in the previous post, the week that turned January into February was a busy one. The morning after attending anniversary ceremonies at the site of the Massacre at Bear River, we packed up and headed to Elko, Nevada, for the National Cowboy Poetry Gathering. Besides enjoying the poets and musicians from the audience, I was also gathering material for an upcoming feature story for Saddlebag Dispatches magazine.

The story focuses on the wide variety of cowboy music on offer at the Gathering, “cowboy music” being defined as any damn song a cowboy likes.

I had the opportunity to interview (or “sit down with,” in banal journalistic babble) several artists who write, compose, and/or perform music. That included Jessie Veeder (pictured), a North Dakota rancher who sings about the life with a contemporary twist; Andy Hedges, a songster who collects and sings old-time, traditional cowboy tunes; Dave Stamey, widely recognized as one of the best Western songwriters and performers on stage today; Geno Delafose and his French Rockin’ Boogie zydeco band from the Louisiana prairies; Denise Withnell of Canada’s Cowboy Celtic band that pays homage to the even-more-ancient roots of many old cowboy songs; Wylie Gustafson of Wylie and the Wild West—“wild” being the operative word; Montana poet, songwriter, and singer DW Groethe; and honey-voiced horsewoman Trinity Seely.

And that’s not even counting the many other artists I had neither time nor space to feature.

As you can imagine, the variety in the musical offerings at Elko, and everywhere else Western enthusiasts gather, is rich and varied—something and someone for every cowboy (whether cowboy in fact or in spirit) to enjoy.

The week that was, Part One.

The week that turned January to February was a busy one around here. Or, not around here, as the case may be.

On January 29, we boarded a bus with a group from Utah Westerners and traveled north on the more-or-less same trail Colonel Patrick Edward Connor took with his cavalry troops in 1863 on a mission to seek out and destroy a Shoshoni winter camp—and the people there.

Every year, the Northwestern Band of the Shoshone Nation, descendants of the few survivors of the massacre, meet on the killing field to remember the fateful day. And they gracefully host all interested parties who care to join them. One newspaper report estimated this year’s crowd at 500. Larry Echohawk (pictured), former United States Assistant Secretary of the Interior for Indian Affairs, offered the keynote address.

I have written widely about the Massacre at Bear River, the latest effort being a novel based on the horrors of the day. When released in 2021, It will carry the same title as a song I wrote the lyrics for, “And the River Ran Red,” by the great Western singer Brenn Hill. Brenn was at the ceremony and, as he did last year, sang “And the River Ran Red.”

The Northwestern Band of the Shoshone Nation, under the direction of tribal chairman Darren Parry, is in the process of creating the Boa Ogoi Cultural Interpretive Center at the site. Your financial support will help. Donations of any size are welcome.

Thank you.

Dispatches from the West.

Saddlebag Dispatches has a new issue available. As always, it’s big and colorful and filled with all things Western. A few of the items in the magazine have my name at the top.

A new short story, “Black Joe,” is about a wild mustang stud and his clashes with a rancher. There’s a feature article about the PBR Ty Murray Top Hand Award, and the collaboration between Ty Murray and the designer and sculptor behind the award, Jeff Wolf. My rodeo poem about how the Star Spangled Banner affects bareback riders, “Long May It Wave,” is given a beautiful presentation. And, finally, my regular “Best of the West” column features what must be the oldest of the Old West’s best towns, Taos Pueblo.

If you don’t read Saddlebag Dispatches, you’re missing out on a fine publication, offering a lot of variety in its presentation of the American West, old and new. Follow the link and take a look.