I’ve said it before, and I’ll say it again: some readers love
Cormac McCarthy, and some readers hate Cormac McCarthy, and there are very few
readers to be found in between.
He’s not a writer you read to “escape.” You know, those kinds of
books you crack open and fall into and zone out and breeze through without
working up a sweat or having to stop to catch your breath. Or think.
You have to pay attention when you read Cormac McCarthy. And even
then, you’re apt to find yourself re-reading a passage here and there because
something unexpected happened; a surprise you didn’t see coming but, on
reflection, had to happen.
And there’s his style of writing. He isn’t big on quotation marks,
so, again, you have to pay attention when he’s writing dialogue. But his vivid
language, searing descriptions, complex characters, and stories where a lot
happens below the surface will engage your mind and infiltrate your
consciousness and never let go.
All the Pretty Horses is one of McCarthy’s masterpieces. It won the National Book Award
and the National Book Critics Circle Award, among other honors. And it sold
wagonloads of copies for years, and probably still does, which is a rare feat
for a Western novel.
It inspired a Hollywood movie of the same name, which I did not
see for years. Having read the book several times, instinct told me which
aspects of the complex, interwoven stories movie cameras would focus on,
turning the tale into something of a high-class soap opera. I was right. What a
shame.
All the Pretty Horses by Cormac McCarthy deserved better. It’s a remarkable novel. I
think I will now go and pull it off the shelf and read it again.
